I am a UK-based visual artist, focusing on the processes of painting by experimenting with materials and methods. 

Enabling others to create

A central goal of my work is to enable 

more people to enjoy process-led art activities. I deliver two adaptable courses with that motivation

1. Painting Process: for adults of any level looking for a structured, supportive space to experiment with painting methods.

2. Material Sensitivity: for BA and MA students to deepen their understanding of specific materials such as those used in practices associated with Arte Povera.

Please see my workshops page and contact me for more information.

Working with other artists

Plans continue for a collaboration with Leeds-based artist Charlotte Cullen 'Poorly Sorted Materials'. Our project will connect with the geological landscape of Yorkshire as a resource for material enquiry.

In 2019, as part of a team led by British artist Jill Townsley, I helped build a large installation within the European Commission's Joint Research Centre (JRC) in Ispra, Italy. The installation resulted from a collaborative project, The FOREVER-DO, by Townsley and JRC researcher Carlo Ferigato, and was included in the 2019 Resonance III Festival, DATAMI, by SciArt.



The research practice of my PhD (University of Huddersfield, 2019) entailed a series of painting experiments that focused on the significance of ground, in its physical, historical and metaphorical senses. The objectives were to expose what was actually happening while immersed in the painting experiments, to investigate a concept of painting as a process, and to experiment openly with methods that analysed and became part of that process simultaneously. 

Between 2015 and 2017, my research focused on the significance of specific, physical grounds in France during three residencies near Lascaux where Upper-Palaeolithic cave paintings were discovered in 1940. At the end of the 2016 residency, I presented a paper at the Psyart International Conference on Psychology and the Arts, Université de Reims Champagne-Ardenne: ‘Grounding painting: an artist-researcher’s experience of Maurice Merleau-Ponty’s ‘flesh of the Gestalt’’. 

In 2013, I made a research trip to the Hallen für Neue Kunst, Schaffhausen, Switzerland (now closed), funded by the Windle Charitable Trust award. The artworks I made in response to a close study of the Robert Ryman paintings at the Hallen were about various aspects of touch. This research project was included in my Masters by Research dissertation: 'Touch: an Enquiry', 2014.


I was born in London in 1979 and grew up near Oxford, UK. In 2008, after a stint as a civil servant at the Department for International Development, I returned to the true path as an artist and moved to West Yorkshire to practise as an artist-researcher full-time. My studio is in Huddersfield, UK where I live with my film-maker partner. 

 © 2020 Puy Soden